Seoul is reshaping the global fashion conversation. In the first of an ongoing BASE-CAST series, we spotlight ADERERROR, a collective redefining streetwear through disruption, imbalance, and intent.

Mario Sorrenti has been an important part of contemporary fashion photography since he came onto the scene in the early 1990s.

Jeweller William Drury did not always know that he was going to design and make his own jewellery, but perhaps it was a path that he could have seen coming.

Now at the top of lists of must-stops for designers and stylists when they visit Athens, Callista Crafts did not pop up overnight. For the past six years, its cofounders Eleni Konstantinidis and Celia Sigalou have been returning to the traditional methods of leatherworking in their construction of elegant and minimalist bags for the local and international market.

While Australian fashion’s finest were being dazzled on the runways installed in the Royal Exhibition Building for Virgin Australia Melbourne Fashion Festival, a couple of blocks north in a Fitzroy backstreet, interested consumers and industry observers were being shown into a graffiti covered building.

From dainty earrings to bold statuettes, artist Holly Ryan's sculpture and jewellery forms cross between disciplines. She draws from sources as diverse as the coarse, natural beauty of the Sunshine Coast, the mystical feminine, and rituals of wabi sabi, a Japanese philosophy of transience and imperfection across both creative pursuits.

It's funny because I wouldn't say that I'm obsessed with beauty at all or that I'm inherently drawn to the beauty industry,” noted Geraerts. We are in the offices of creative agency Love + Money, on Melbourne’s Gertrude Street, which share premises with It’s All Fluff and have helped create much of the brand’s visual identity.

As our business grows we have a greater responsibility to give back to our community. We have a large Asian clientele coming from overseas, and they only came when they are young, like me.”